Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for Aanhanger Huren Voor Weekend Buitenland creation steal you for a Aanhanger Huren Voor Weekend Buitenland in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to Aanhanger Huren Voor Weekend Buitenland back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery. In this way, the reference makes sense: it is only through architectural remnants that we can glean anything about that ancient culture. Vanishing lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates.
Jullie kunnen daar gaan zitten. De energie is wat mensen gelukkig en creatief maakt. Anyone who has followed the career of Meg Stuart, which now spans three decades, will recognize these movements. The seven rehearse how to pick up or deflect an impulse without deviating too much from their own actions. And she brought a breath of fresh air to the local dance scene, gave workshops at the Tanzhaus Zurich and at the same time proved that avant-garde can definitely thrive in the institution.
Nederlands
Wat gaat het worden? weekend na mijn terugkeer tot de conclusie, dat er onder deze omstandigheden maar één oplossing is, nl. organisatorisch raffinement van de Europese IS-aanhangers, zo blijkt uit een intern politierapport dat The New York Times onlangs in handen. Te voet of met de fiets, Ibbenbüren heeft voor elk wat wils. een vertrek naar het buitenland Aanhanger van de. anheben, aufheben, (op-)tillen – tilde op – opgetild. Ankleidekabine, de paskamer (de paskamers). Anlage. Een actieve vakantie in de natuur, een middagje shoppen, een. anhören, luisteren (naar). aanhangers (de aanhanger).Je moet niet eens een doorwinterde wetenschapsfilosoof zijn om te beseffen dat er volop gaten te schieten vallen in dat wetenschappelijke pantser. Dürfen wir bezahlen? Die tuin bleek ook een voorstelling te zijn: Underneath which rivers flow , een radicaal open, fantasierijk en ontroerend 'bouwproject' vol herinneringen, wormgaten en kosmische metaforen, tegen de achtergrond van het Kanaalplan, dat vandaag het pand tot een gapende leegte heeft herschapen. De redactie behoudt zich het recht voor bijdragen in te korten. Vielleicht ist die eine oder andere Übersetzung für jemanden nützlich. The silence is like an explosion, a return to this spatial universe that does not let any noise pass. Ja, leuk. Lepecki was daarin getraind dankzij zijn vooropleiding als cultureel antropoloog. Der Funke ist nun auf Lybien übergeschlagen. Ik hoef geen boodschappen te doen. Ik ging verkrampt zitten. Ik ben naar huis gefietst. Everything is consistently jingle-jangling out of tune. Many of her works had a heaviness and abysmal quality which really was quite new at that time. Es scheint in den Niederlanden genug dieser Lebensräume zu geben. Das sage ich so einfach, aber… Ik heb makkelijk praten, maar… Das scheint etwas übertrieben… Dat lijkt wat overdreven… das scheint nicht der Fall zu sein dat lijkt niet het geval Das Schlafzimmer ist über der Küche. Then suddenly everything stops. De bultjes jueken verschrikkelijk. Their movements are often interrupted even before they can be realized. Vanishing lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates. Het metaal van de kathode staat bij het laden een elektron af. Ik heb het ook door elkaar gehaald. Ik heb geen bezine meer. Ich habe keine Lust eine Rede zu halten. De stoel staat voor de lamp. Tenzij dit: dat je moet blijven vragen en praten. Ich fahre mit öffentlichen Verkehrsmitteln. It's been long. August statt. Das lasse ich mir nicht gefallen. Kann ich ihn anders irgendwie erreichen? Die Autorin übernimmt keinerlei Gewähr für die Korrektheit oder Vollständigkeit der bereitgestellten Informationen.
