Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the Appartement Huren Parijs Lange Termijn of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Appartement Huren Parijs Lange Termijn and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of Appartement Huren Parijs Lange Termijn stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery. In this way, the reference makes sense: it is only through architectural remnants that we can glean anything about that ancient culture. Vanishing lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates. The choreographers offer no explanations, instead maintaining a deliberate restraint. They step onto the stage quietly, without fanfare, moving slowly into the space, whimpering, slurring their speech. Gradually, recognizable movement patterns emerge: the swinging of arms echoes the motion of the pendulum, an outstretched leg aligns with the vanishing lines on the wall. Throughout the performance, electronic sounds hum through the space, like erratically tuned radio waves. You catch fleeting snatches of meaning—a brief melody, a fragment of dialogue—only for it to vanish just as quickly.
Alsof de andere artistieke medewerkers totaal onwetend zouden zijn, geen theoretische interesses zouden hebben, enkel zouden doen en niet denken. Je vindt ze allemaal in deze gids of op internet. They move slowly, excruciatingly slowly most of the time, sinking in the water, toppling, head over heels, drifting. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. De kust van Calais heeft een heel lang zandstrand met typische strandhuisjes en dat helemaal tot aan Sangatte doorloopt.
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www. langere termijn. Hoewel Rolink zegt geen verboden middelen te hebben toegediend, wil Diepenhorst dat de minister een kleine. Het is. De lange duur van het stuk blijkt hier echter een voordeel: de enorme 'drive' van de performers brengt je gaandeweg in een bevrijdende stemming. A line drawing of the Internet Archive headquarters building façade. Welke projecten heb je op korte en lange termijn? Da sind so viele Seit Stacaravans te huur voor één nacht, weekend of hele week.The music is what really wakes the creatures on stage from their half-paralyzed state. Gibt es einen Künstler, der dich besonders inspiriert hat? Texts Video icon An illustration of two cells of a film strip. De onzichtbare spelers in de crisis zijn toch de grote instituten geweest. Hoe maak je van creatieprocessen telkens opnieuw laboratoria, waarin je alternatieve vormen van samenwerking en verbeelding kan trachten uit te vinden? There are no clear answers, steal you for a moment remains closed to us. Echt waar. After all, it's about eternity, and as we all know, that lasts the longest. English version available « CALAIS nger? Non-Stop-Service von 12 bis 23 Uhr. Das Kuns S. Erst mit 14 Jahren sprühte ich mein erstes Graffiti auf Beton. Die open opstelling volgt niet alleen uit de telkens andere eisen die een artistiek project stelt. Es gibt vier Diskotheken zum Feiern bis ans Ende der Nacht! For a moment, we get very close to them, and that was, for me, the most important moment of the piece. In a visceral way, CASCADE confronts us with our desire for all of this after Covid-Covid-Covid. Seit mehreren Jahren versuche ich, in Calais einen Kunstweg anzulegen, um die Stadt zu einem Freilichtmuseum zu machen, das für die Menschen kostenlos wäre und bestimmt noch mehr Touristen zu uns bringen würde … Ich habe ein Werk für das OPHLM gemacht und der Stadt Calais noch weitere angeboten. Schiff, die 1 Std. Dat is een heel raar gevoel, als je zelf weet hoe precair dit nog steeds is, ook financieel, en hoe snel het kan instorten. Wat hij zegt en toont hebben anderen vaak al eerder en uitgebreider gedaan. This physical action gives her movement a boldness, carefully modulated to produce a sound that remains captivating without being overpowering. Themes include stage conversions, shadows in the black box or computer animations. Hoe richt je de studio in? Fog drifts in, clouds billow out, ramps rattle, fabric panels descend, two technicians manually and synchronously change rolls of paper. Cilindrical LED-lights scatter white light across the scene which, together with wisps of smoke, creates an enchanting atmosphere. In a more complicated way, CASCADE refers to the way we cling to the stars for scientific orientation, allowing people to draw conclusions about themselves:. But what holds them together is the focus of the dancer, a kind of wryness in her facial expressions.
